One Question

Answering Those Everyday Questions

What is Koyaanisqatsi?

We had heard the term koyaanisqatsi several times of late and being folk who like to know the answers, we had to find out what this was.

Research took us to buying a DVD off Amazon of a most unusual, beautiful and disturbing film.

The term means something like “a life out of balance” in the Hopi Indian language and the film does an amazing job of showing you just that.

With a haunting soundtrack from Philip Glass this is a two hour journey, with no dialogue, through the beauty suffused with madness of modern life. It was made in 1982 by Geoffrey Reggio, though the scenes seem older than that.

We watched it one evening in the office on the computer, but that seemed a sacrilege in many ways. This needs the big screen, ideally a cinema, but if not the biggest and best home screen you can arrange. It needs a great hi-fi too. And patience.

It’s not fast moving, it’s not gripping, but in the right mood it can be entertaining. And it certainly made us think. Lots.

There are two follow up films that we have now ordered. We’ll let you know about them as an update to this post I expect.

Koyaanisqatsi. A life out of balance. Wow!

 

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Why see a silent film? The beauty of The Artist.

The concept of going to see a silent film must of went out of fashion very soon after the first talkies came out.

As an arts project then something like The Artist could expect to remain just that, confined to the realms of the arts. But this has fast become something of a modern French masterpiece.

Watching it is strange. At first you really miss the dialogue, but it grows and grows. It has wonderful irony, a deep statement on pride, and the need to move with the times.

The cast is beautiful, all three of them.

I’d recommend you go even if just for the dog!

And the great thing about making a modern film set in the past is that it is instantly timeless.

The Artist. One Question loved it!

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Why is uncoated paper soooo lovely?

At One Question Towers we like our materials.

While this office is no temple to design, it is staffed by peeps who like a beautiful form, and a tactile thread.

Right now we’re reviving our obsession with uncoated papers.

Paper is either coated or it isn’t. Coatings vary in degrees of shiny finish, and uncoated is matt, so that it feels like recycled paper, even though often it isn’t.

We love uncoated for its tactile nature, for the fact that you can read a magazine even when you have over head lights, and in the desperate event of spilling your glass of Saint Emillion it’s sufficiently absorbent to soak up the last traces – licking a good wine from the table is ok, but do watch out for splinters.

Some of our favourite magazines are printed on a mix of both, now that really is class. Brings out the beauty of each and helps truly understand the contrast.

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What difference can a word make?

We love words at One Question Towers.

We don’t pretend that we’re good at them or anything daft like that, what we like is coming across other people who are great, who take a sentence and turn something turgid into what appear to be words of wisdom.

Last night Sean and I were at a lecture by one of the great old men of advertising in this country. A guy who was part of the Madison Avenue scene characterised by Mad Men. He was telling us tales of times gone by, and talking about the importance of seeing copywriting as a craft. He was telling us about a soap powder he used to write ads for, one that increased its sales by 50% after our man Jeremy changed just one word in the headline. That’s powerful!

We’re going to come back to this topic after we’ve bought a book we say advertised about the fun and catastrophes of learning English and how a subtle change can dramatically alter the meaning of what’s said.

We’d love to hear your examples of English at its best, and most confusing. We’ll be revisiting the topic soon.

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What is the Turner prize?

Last night this year’s Turner Prize was awarded to Scot Martin Boyce.

For the first time the exhibition of the finalists work was held outside of London and was in fact at the Baltic in Gateshead – cool place it is too! (And I promise I didn’t see the pun until I’d written that).

The prize was set up in 1984 to celebrate new directions in British art from the previous year. It loosely celebrates/commemorates JMW Turner, but it’s not something funded by any legacy of his.

There’s an annual panel of judges that changes every year, and a sponsor, Gordon’s at the moment, who funds the whole thing. There was a year when there was no prize after the intended sponsor went bankrupt.

One of the great things about the Turner is how it manages to dig up the debate of What is Art? every year.

I can’t pretend that I’ve been excited by the winning works most years, but old Grayson Perry certainly raised my interest. An odd digression from art this – but I loved him on Desert Island Discs. I remember I was driving to an interview at the time, it did a great job of calming my nerves.

Whether you’re a Turner fan or not, do get along to the Baltic sometime. It’s a wicked space – and has a great view of Newcastle. KC

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